Abstract

The article describes the basics of sound evolution as part of an integrated communicative system for communicating messages from the author to the audience; his concept and the relationship of semiotics and semiotics of sound. With the advent of movie takers like the industry, it has moved very far and musical design, appearing as some entertaining moment, has become an indispensable attribute of almost any film. The language of the image evolved and combined with the language of sound, creating a completely independent language-a complex communicative system for transmitting messages from the author to the audience.