Abstract

The article describes the history of the semiotic and its reflection as a science. Brief characteristics of the periods of the formation of semiotics from Plato and Aristotle to the present day. This article contents an explanation of fundamentals on evolution of sound as part of complex communicative system for transferring message from author to audience, its’ concept, and correlation of semiotics and semiotics of sound. The article presents the features of noise design and sound design and gives the dialectics of their development. Traced the way to introduce noise design in the production process. The appearance of sound design as one of the types of noise design is shown. This article describes the signs’ mechanisms for complex communicative systems dynamically appearing in theatrical arts. This article also shows the history of sound semiotics, as an additional way to get the message and idea from author to audience on the level of emotions and the mood.